You receive — the room and the scale of it, people working and talking unposed, speakers and panels usable for press, portraits caught along the way.

Two layers: 100+ frames, every one colour-corrected, and 60 of them fully edited. Full resolution.

How it runs — I work close but unnoticed: the frames worth having happen once people stop registering the camera.

From you — the programme and the key people, where the photographs will be published, one contact person on site, access fifteen minutes before the start. A black-and-white edit of selected frames if you want it — say so beforehand.

Not exactly your case? Message me — we will shape the format around it.