You receive — your space with people in it, your team at work, portraits made in your own interior, about six product or menu positions.

Two layers: 100+ frames, every one colour-corrected — enough to keep a feed running for months — and 30 of them fully edited, for the places where a picture has to carry weight. Full resolution.

How it runs — this is your place living, not posing: the room and the people are shot as they are, on an ordinary working day, and only the product is set up. Space first while it is quiet, then people, then product, all in the same light. Most people do not enjoy being photographed at work; more than twenty years of portraits is what makes that part go quickly.

From you — the list of positions agreed beforehand, product ready at the agreed time, a quiet window, one person on site who can make decisions.

Team portraits for up to 8 people; larger teams quoted after a short call.

Not exactly your case? Message me — we will shape the format around it.

You receive — the room and the scale of it, people working and talking unposed, speakers and panels usable for press, portraits caught along the way.

Two layers: 100+ frames, every one colour-corrected, and 60 of them fully edited. Full resolution.

How it runs — I work close but unnoticed: the frames worth having happen once people stop registering the camera.

From you — the programme and the key people, where the photographs will be published, one contact person on site, access fifteen minutes before the start. A black-and-white edit of selected frames if you want it — say so beforehand.

Not exactly your case? Message me — we will shape the format around it.

You receive — wide frames with the geometry held, zone by zone: entrance, main room, bar, private areas, plus material and fixture details. 40 fully edited frames, full resolution.

Enough for a mid-sized restaurant or one floor of an office. Hotels and larger properties are quoted after a call.

How it runs — this is staged work, not reportage: each frame is set up, lit and cleaned. On a tripod, with the time of day chosen for the windows rather than for convenience. Where people should appear in the frame, they are placed and directed.

From you — access at the agreed time, the space set and cleaned the way you want it seen, someone who can move furniture and switch the lighting, a list of the zones that matter most.

Anyone appearing in the frames — staff, models, guests — is arranged by you. Without them the shoot still runs; the rooms simply come back empty.

Not exactly your case? Message me — we will shape the format around it.